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Art in Public Places

Dublin Arts Council’s Dublin Art in Public Places program’s goal is to enhance the quality of life for Dublin’s residents and to strengthen the city as a destination for visitors. The collection includes both large and small visual artworks acquired through a variety of models in which Dublin Arts Council is actively engaged; including major gifting, committee-directed projects, calls for entries and jurying, on-loan programs with
an acquisition component, interactive projects, contributions to the City’s interior collection and projects which define a community initiative.

 

The collection is currently valued at $3.8 million. The Dublin Art in Public Places program was begun in 1988 and has grown to more than 60 large and small-scale permanent, temporary and interactive public art projects today. Dublin Arts Council maintains that public art should inspire an emotional response, provoke questions and invite interaction, while encouraging ingenuity and creative discovery by artists. The collection of public artworks distinguishes our community and creates a sense of place while contributing to Dublin’s aesthetic legacy. Dublin Arts Council, in collaboration with City of Dublin adopted its first Public Art Master Plan in 2021. A copy can be downloaded here.

PERMANENT COLLECTION

TEMPORARY COLLECTION

Public Art Board

The Public Art Board is an advisory body composed of nine (9) members: two members of DAC staff, two members of City staff, and five community representatives. All selected community representatives reside in Dublin and are comprised of subject matter experts from the fields of contemporary public art, community engagement, municipal services and business interests. 

2025 Members:

David S. Guion, PhD,
Dublin Arts Council

Dr. David Guion serves as Executive Director of the Dublin Arts Council. With 20 years of leadership he has positioned the organization as a thriving arts nonprofit and regional public art and arts education leader. His leadership has resulted in expanding Dublin's Art in Public Places program to include more than 70 permanent, temporary and interactive public art projects today. David currently serves on the Columbus Public Art Steering Committee and regularly consults on public art policy and procedures for municipalities and arts administrators across the region. Dublin's Art in Public Places program has received regional, national and international attention as it sets the standard for best practices in public art administration.

 

For more than 30 years, David has worked with nonprofit arts organizations and educational institutions in New York City, the Bay Area of California and Columbus, Ohio. He received an M.A. in Art Education from The Ohio State University (OSU) in 1988 and his Ph.D. in Art Education from OSU in 2008. He currently teaches graduate courses as an Adjunct Assistant Professor in the Department of Arts Administration, Education and Policy at OSU and is a CreativeOhio Board member.

He has been recognized for his leadership as a Smart 50 awardee by Smart Business magazine in 2015 and has served as a panelist for the Ohio Arts Council, the Greater Columbus Arts Council and Culture Works in Dayton, Ohio. He is a committee member of the Collaborative for Arts Education in Ohio and has adjudicated numerous arts exhibitions for a variety of organizations throughout the region.

Shannon Crane, Arts Advocate and Community Volunteer

Shannon Crane is an Ohio native and proud graduate of The Ohio State University. A passionate supporter of creative expression, Shannon recently concluded a seven-year tenure on the board of the Greater Columbus Arts Council (GCAC). During her time on the board, she played a pivotal role in advancing opportunities for artists, art institutions, and projects across Ohio. Notable achievements under her leadership include the passage of the ticket fee initiative, which secured increased funding for artists and organizations in Central Ohio, as well as contributing to the growth of GCAC’s endowment and successfully navigating the challenges of the COVID-19 pandemic. Shannon’s commitment to the arts extends to her involvement with organizations such as The Columbus Museum of Art and CAPA. She has also served as a juror for the Aminah Robinson Residency Program, supporting emerging artists and fostering community engagement. Additionally, she has contributed as a grant reader, ensuring resources are effectively distributed to impactful projects. With a deep appreciation for public art and its transformative power, Shannon and her family have further demonstrated their commitment to the arts and social justice by commissioning a public sculpture titled ‘A Single Garment of Destiny ‘in downtown Columbus. The sculpture, located in the William Gladden Social Justice Park, serves as a powerful symbol of unity and equity, reflecting the values of the community it represents.

Logan Heffelman, Master’s Student in City & Regional Planning, The Ohio State University

Logan Heffelman grew up in a small farm town in northeast Ohio, and has lived in Dublin for over ten years and considers it home. Since he was a kid, Logan has been interested in the arts from painting to building things out of whatever materials he could find, which eventually led him to study Architecture. Logan had the pleasure to experience how influential art is to a culture and community through his studies abroad and is excited to share in the vision for a vibrant art scene in Dublin.

Michael Hiatt, City of Dublin

Michael Hiatt’s career over the past 20 years has focused primarily in the landscape industry with experiences ranging from plant propagation to park design and construction. He earned a Bachelor’s of Fine Arts in Art & Technology and a Masters of Landscape Architecture at The Ohio State University. For the past decade, Michael has been devoted to public service where he manages the development and maintenance of parks for the cities of Columbus and Dublin. Michael is currently a Landscape Architect for the City of Dublin Parks Department. Each day brings a different challenge and the variety of projects that keeps his work exciting. Michael finds it rewarding to be able to bring both fields of art and landscape together for the public to experience.

Dawn Petrill, Artist & Instructor

Dawn Petrill is a 1995 graduate of the Cleveland Institute of Art and received a MA from Wesleyan University (CT) in 2003.  She began her artistic career as a freelance illustrator and art instructor. Over 12 years ago, Dawn set up her fine art business, Art At Dawn LLC.  She exhibits both locally and nationally, having received numerous awards for her work and 3 grants from the Greater Columbus Arts Council. She also teaches art classes at the Delaware, OH Arts Castle and adults of early onset dementia through the Central Ohio Alzheimer’s Association.  Dawn is a member of the Dublin Area Art League, Ohio Art League, Collage of Women artists, and the National League of American Pen Women.

Ava Morgan, PhD,
Dublin Arts Council

Ava Morgan serves as Public Art Manager for Dublin Arts Council. In this role she manages Dublin's Art in Public Places program and facilitates opportunities for the community to engage with the creative practices of artists through direct participation in workshops, events, programs, artist residencies, commissions, and other emergent modalities. Ava teaches graduate courses as an Adjunct Lecturer for Goucher College's M.A. in Arts Administration program. She received her Ph.D. in Arts Education from the Ohio State University, a M.A. in Arts Administration from Goucher College and a B.A. in Philosophy from Earlham College. While working on her doctorate, Ava served on the education team for Art & Resilience, a suite of gallery-based programs at the Wexner Center for the Arts. She also served as Executive Assistant for Ohio Humanities, the state-based affiliate of the National Endowment for the Humanities.

Kristin Helmick-Brunet, The Ohio State University

Kristin Helmick-Brunet is Assistant Director, Foundation Relations at The Ohio State University, securing grants to support the university's research and academic priorities, specializing in the arts and humanities. Formerly Curatorial Associate at The Wexner Center of the Arts, Columbus and Assistant Curator at The Museum of Modern Art, New York, the arts have been central to her career, and she has organized and executed over 25 exhibitions. Ms. Helmick-Brunet holds M.A. degrees in both Art History and French Language and Literature and enthusiastically supports art and culture in all its forms, in Dublin and beyond.

Kristine Kinzer, Columbus State Community College

Kristine Kinzer is a generational Dublin resident with deep roots in the community. She is a lifelong supporter and creator of fine arts and crafts. Kristine attended CCAD and received a BA in History of Art from The Ohio State University. She also earned a Master’s degree and works in Academia. Kristine recently served on a cross-departmental team that hosted a juried art exhibition on campus. Kristine loves the fine arts and regularly visits museums and craft shows. She also volunteers at the local and state level as she recognizes the importance of serving her communities.

Shawn Krawetzki,
City of Dublin

Shawn Krawetzki, PLA, ASLA, has been working in theLandscape Architecture Profession since graduating from The Ohio State University in 2001 with a B.S. in Landscape Architecture. He has been licensed in North Carolina, Virginia, and Ohio.  Over his 23 year career, he has worked on projects all around the United States and a number of these has included the siting of Public Art for both public and private owners. His career path has also spent time on both the private and public side of Landscape Architecture and with it exposure to projects that many in the profession may never experience.  As his experience grew, he realized that working on the Public side of the profession provided a higher sense of accomplishment. It provided more connection to everyday people and brings Art to the Public instead of being tucked away in a private collection.  Being the Landscape Architect Manager at the City of Dublin, his responsibilities are to execute the Parks and Recreation’s Capital Improvement Projects (CIP), work with other Departments to coordinate projects, and utilize his profession’s unique skillset for the betterment of the City. He feels that the breadth of these projects and their challenges are very exciting and fulfilling when brought to the Public for enjoyment. However, the projects that include public art embodying the genius loci of a site are by far the most rewarding and timeless. He strives to make places that the public may thrive within.

Land Acknowledgment:

Dublin Arts Council acknowledges that it was founded upon exclusions and erasures of many Indigenous peoples, including those on whose land its institution is located. Its programming takes place on the unceded land of the Hopewell, Adena, Miami, Delaware, Shawnee, and Wyandot peoples. Dublin Arts Council asks community members to join the organization in acknowledging and honoring these Native communities, their Elders both past and present and all future generations. This acknowledgement demonstrates a commitment to beginning the process of working to dismantle the ongoing legacies of settler colonialism.

FAQs

What is Dublin Arts Council’s (DAC) role in the public art process?

DAC serves as facilitator in commissioning large-scale public artworks as part of DAC’s Dublin Art in Public Places program. One of DAC’s primary goals is to advocate for and support the artist(s) in the process.

How does the site selection process work?

In collaboration with the City of Dublin, criteria are established for the site and the project’s overall impact. Selection criteria for the site include visibility, educational opportunity, historical significance, city-owned property, discovery, sense of place, and the aesthetic cohesiveness of the Dublin Art in Public Places collection.

Does the Dublin community have a voice in the site selection?

DAC and the City of Dublin contact the public via numerous outlets to solicit feedback regarding the site. After visits, evaluation of recommended sites and community feedback, the proposed site is presented to City Council for approval.

Does the Dublin community have a voice in the site selection?

DAC and the City of Dublin contact the public via numerous outlets to solicit feedback regarding the site. After visits, evaluation of recommended sites and community feedback, the proposed site is presented to City Council for approval.

How do you find artists to create the public artwork(s)?

DAC produces a “National Call for Artists,” distributed through various media outlets, artist registries and artist lists. Proposals include artist qualifications, examples of the artists’ work and a letter of interest in the project.

What do you do when your receive the RFQ and letter of interest from aritsts?

Once all of the Artists’ proposals are received and DAC staff eliminates those applications that do not meet the criteria (documenting those eliminated), DAC chooses and assembles a selection committee of voting and non-voting members who represent a variety of viewpoints, experience and expertise. Artists’ proposals are shared with the selection committee and DAC facilitates discussion to reach a manageable number of three to five artist finalists. 

Once the finalists are determined, what do you do next?

DAC, in cooperation with the City, welcomes the artist finalists, providing a comprehensive visit to the site and the community. The finalists each then return to their studio to create a site-specific proposal.

What do the artists do after they create a proposal?

After a set period for the artists to create a vision for a project, finalists return to Dublin to present their site-specific proposal to the selection committee and the community. During the presentation, questions are fielded and community feedback is solicited.

Who decides the winner of the commission?

The Selection Committee convenes to discuss finalists, considering community feedback as part of the selection process. An Artist and an alternate are selected. DAC staff checks artist references and speaks to arts administrators with whom the artist has worked. The artist chosen for the commission is presented to City Council.

Why is the artwork commissioned after the site is selected?

The artwork is created to respond to a specific site. Through interpretation of the artwork, the site should take on a deeper meaning and the artwork should take on deeper meaning with an understanding of the site. When further activated by the artwork, the site will create a sense of place.

Why don’t you make public art projects available only to Ohio artists?

Great cities attract great talent from throughout the world. This is especially true of creative economies at the heart of our increasingly global reach. That’s why leading corporations, professional sports teams, and ballets, symphonies and theater companies hire the best brains, athletes and artists they can. Keeping Dublin’s cultural doors open to the entire nation and the world brings Dublin the best return on its cultural investment. It also helps to assure that other cities will continue to welcome and hire Ohio artists, enabling our artists to build careers nation- and worldwide.

Who pays for Dublin’s public art?

Dublin’s permanent public artwork is funded with hotel/motel tax dollars, which are collected from visitor and corporate employee travel. For every overnight stay in one of Dublin’s hotels, a 6 percent tax is collected and invested back into the community through designated projects and events that enhance Dublin visitor and resident experiences. The Dublin Art in Public Places program is one of those designated projects.

How long does the overall process take?

From site selection to installation, the process takes at least two years.

In partnership with Visit Dublin, Ohio,
you can explore this curated tour of
12 must-see public art installations. When you visit all 12 public artworks with the pass you'll earn an exclusive collection of public art stickers created by local artist Bryan Moss. 

Art in Public Places Pass Logo
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